Monday, January 30, 2012

Nobody On Land: The Departure (EP)

  1. Exodus
  2. The Boy of the Week
  3. Life is Like and Open Book (So Easy to Plagiarize)
  4. The Departure
  5. That Stops Now
Release: July 21, 2011
Genre: Rock, Metal
Rating: 3.5/5


Nobody on Land is a local band that I just recently found out about. The band has a really cool sound that is a mix between Hawk Nelson, Skillet, and A Plea For Purging. Each song on The Departure has a completely different sound than the one before. Some songs are straight up rock, others have some metal parts to it, and others sound more like punk rock. With each of the different genres they have going on they could do really well if they did just one of them, but together it creates a really cool project. If you like any of these genres, I would highly suggest checking these guys out.

The album starts off with a really cool song, "Exodus." Automatically I thought it was going to be a straight up metal song, but it was more rock than anything. During a part near the end it has a little bit of hardcore and I was not even expecting it, which it makes it that much better. Ryan McCormick's vocals are pretty stellar during this track, and sound especially good during the chorus. I really cannot get over how much I like the metal part of the song because it completely caught me off guard and they did such a great job with it. I think it is cool whenever rock bands can put in a few little hardcore parts into their tracks.

"The Boy of the Week" completely switches gears and sounds more punk rock, more Stellar Kart or Hawk Nelson. I really love listening to this song, because it brings back the days when I would blast Hawk Nelson all day long. The song is about exactly what the title suggests: relationship issues. One thing that really surprises me about this EP is the level of production; it sounds really good for an indie band's first ever release. The production and sound quality is really good and was done very well.

The third track, "Life is Like and Open Book," is more hard rock, but not quite hardcore because there really is not much screamo in it at all. I guess if I had to compare this song to a big artist I would say maybe Thousand Foot Krutch, but not quite. The song is good, but probably not one of the best on the album. The next song, which is also the title track, is a really cool piano driven track. The song is very emotional and has a very raw feel to it. It talks about wanting to go back in time and be with this girl. Ryan says at one point in the song, "I cannot live without you." It is very emotion filled and is a great one to listen to.

The EP ends with "That Stops Now," which goes back to the sound of "The Boy of the Week." I cannot decide which genre I like these guys doing best, but I think if I had to choose it would be punk rock. They do a really solid job with that style, but I may be biased since that is the type of music I have listened to longer than anything else they do. The Departure centers around relationships, and this song follows in that theme.

Nobody on Land has a lot of talent. I am not sure if they are going to stick with having all these different styles on their future stuff, but I would pretty happy if they stuck with the variety. I like albums that do not sound the exact same throughout - that can make for a very long 45 minutes or so. But with Nobody on Land I do not get bored at all when listening to their music. If you want to support a really cool indie band, I would highly suggest checking these guys out and buying this EP. I am really looking forward to some more music from these guys in the future!

Favorite Song: Boy of the Week

Favorite Lyrics: "Here's your chance to sing with me. Put down the gun; it's me you'll see." (From the song "That Stops Now")

T.Jay: Iris (Free Mixtape)

  1. Who Am I? (Feat. Shalyssa Mitchell)
  2. New Me (Feat. 3 Spikes)
  3. This I Pray (Feat. Ashley Respress)
  4. Fantasy (Cover of "Fantasy" by Da Truth)
  5. Phone Home (Feat. TdotRoy)
  6. No One (Feat. Amanda Davis)
  7. Sound the Alarm
  8. We Go (Feat. Unashamed, KAJE, J.Mase)
  9. Righteous Love (Feat. Crimson)
  10. Breakthrough (Feat. Musicbox and SMACK)
  11. Take a Stand (Feat. Nathaniel Parrott)
  12. The Meaning of Purpose
  13. Find the Answers (Feat. Unashamed)
  14. Reason
Release: December 22, 2011
Genre: Hip Hop/Rap
Rating: 3/5


I know t.Jay from the single he released with Level 3:16 not too long ago, called "Love" (by the way, we love that song!). After that I came to expect a lot from t.Jay, since that song was pretty top notch. Now I know Iris is only a free mixtape, and is not completely representative of the artist's best stuff, but I am not a huge fan of this mixtape. It has a few pretty good songs on it, but overall it just is not banging like Andy Mineo's Formerly Known, which is probably my favorite free mixtape of all time. Andy Mineo set the bar for rap mixtapes, and he set it pretty high. While I am thinking about it, here is the link to download the album for free.

Best song on the album, by far, is "New Me." The song features 3 Spikes, and is definitely the best overall song on Iris. The beat is really good, what I expect from a rap song. The lyrics are some of the best on the album, and the rapping is definitely the best on the record. The song is all about how after coming to Christ we are all different, there is a new person. Oh and 3 Spikes is a pretty awesome rapper; I think I may like his part on the song the best.

"This I Pray" is another song that follows in the recent streak of rap songs where the artist is praying to God. This seems to be the new fad for Christian rap artists, to have a song where they are praying to God through the whole thing. It is a great concept, but I think I am getting burned out on these kind of songs. I really like all the verses on this track, but the chorus is something that has not yet grown on me. "This I Pray" then leads into "Fantasy," which is a cover of Da Truth's song by the same name. I have never heard the original, but I think t.Jay did a pretty good job on the song. I love the lyrics to the song, which talks about life with Christ and how that life is the most beautiful and fulfilling.

"Phone Home" has some good parts to it, but all the beeping throughout it gets to me after awhile. Some things really get on my nerves, and phone noises are one of them. Great rapping, but some annoying sounds during the song. Then after that there a few decent song, but "We Go" is probably one of the best songs in the middle of the mixtape. There are some great guest artists on the song: Unashamed, KAJE, and J.Mase (none of which I had ever heard of before this song). The songs with guest artists on them are probably some of the best on this record. "We Go" has some of the most hard-hitting lyrics on the album and I really enjoy listening to the track.

The songs in the later part of the album are good, but I think he put the best ones at the beginning. The thirteenth song, "Find the Answers," with Unashamed, is probably my favorite track near the end of the mixtape. Unashamed does a great job, and I really like all the tracks on this album with him on it. But other than "Find the Answers" the other songs from the ninth to the fourteenth are just decent.

I expect a lot from t.Jay, because I think the guy has a lot of talent. I am really looking forward to a full-length project from him that is supposed to come out sometime in 2012. I have a feeling it is going to be a lot better than this mixtape. I would still suggest downloading it just because it is free. There are a few songs on Iris that are definitely worth listening to, and others that you may want to pass on.

Favorite Song: New Me

Favorite Lyrics: "I ain't here to rap or rap solely; I'm here to rap about God cause He's holy. I stand here before you now because God told me to plant trees of life; sow seeds. " (From the song "We Go")

Rivers & Robots: The Great Light

  1. Forever Faithful
  2. The Great Light
  3. Your Love Reaches
  4. You See the Son
  5. Paper Walls
  6. A Song For the Birds
  7. Washes
  8. Looking Back I See
  9. Open Up Your Doors
  10. A Summer Hymn
  11. All Glory
Release: August 12, 2011
Genre: Alternative
Rating: 3/5


Rivers and Robots is Jonathan Ogden, who hails from Manchester, UK. R&R's music can be described as alternative, indie, folk, techno, worship music that sounds unlike anything I have ever listened to before. The album has some good parts on it, but overall it just needs a little more polishing. I like what Jonathan is trying to do with R&R and I think the band definitely has potential. There are times though where you can definitely tell it needs a little work on it and his vocals could benefit from a good studio.

The album starts off with one of my personal favorites, "Forever Faithful." The song talks about the sustenance of God and how He is always faithful and all we need. I know I have probably said this about a bunch of albums lately, but this song shows pretty well what the rest of the album is going to sound like. If you are questioning whether to buy the album, I would probably suggest just starting by listening to the first song (which you can do on his Bandcamp page). The second song on the album, which also happens to be the title track, has some great instrumentals. That is probably my favorite thing about the song, is the instrumentals. The song talks about the moment when we will all see Christ in all His gloriousness.

"You See the Son" is probably one of my favorite song on the album. Jonathan's voice is probably at its best on this song and the instrumentals are pretty good on the track as well. The song is about the second coming of Christ and is one of the more serene and beautiful songs on The Great Light. This is probably the one song on the album I enjoy listening to over-and-over again. "You See the Son" then leads right into the piano driven "Paper Walls." The song talks about hearing God's voice in the midst of everything else going on in the world.

Another one of my favorites on the album is "A Song for the Birds." This is another one where most things seemed to fall right into place. The concept of the song is that all we need is to trust God and rely on Him solely for our everyday needs, and for everything else in life. It has a great concept and I really like most parts of the song. The next song, "Washes," is completely different than the rest of the album. It has more of a techno feel to it and makes me think a little bit more of Owl City. The song is all about how God is always there for us, but it has a very light and fun feeling to it.

The album finishes up with a great instrumental track, "All Glory." I really like this song, just because it really shows Jonathan's creativity. It has some really great parts in it and it portrays very well what most of his music sounds like. I would love to see more instrumental tracks on albums; it is such a great addition to any album.

I would not say that The Great Light is one of my favorite albums, but it does have some good stuff on it and I can definitely see potential in Rivers & Robots. It is a cool indie release that you may want to check out if you like music that is different than the normal stuff you hear every day. One thing I really give Jonathan credit for is that the lyrics are pretty solid and I love knowing that each of the songs really has a purpose. Also, Rivers & Robots will be releasing a new album on July 20, and you can read all about it and see updates on the album's site.

Favorite Song: You See the Son

Favorite Lyrics: "All the times I've failed, I've turned towards your face and felt the cleansing flow of all-sufficient grace." (From the song "Looking Back I See")

Monday, January 23, 2012

Kari Jobe: Where I Find You

  1. Steady My Heart
  2. We Are
  3. One Desire
  4. Find You On My Knees
  5. Savior's Here
  6. Stars in the Sky
  7. What Love is This
  8. Run to You
  9. Rise
  10. Love Came Down
  11. We Exalt Your Name (Feat. Matt Maher)
  12. Here
Release: January 24, 2012
Genre: Adult Contemporary
Rating: 4.5/5


Kari Jobe, worship leader at Gateway Church, who won a Dove award for her self-titled debut album is now releasing her sophomore album Where I Find You. She worked with Ed Cash and Matt Bronleewe on this album, which is releasing on Sparrow Records on January 24. Kari's music is a worshipful journey, and this album really resonates hope and a love for God. I had the opportunity to see Kari Jobe perform at Winter Jam and she did an amazing job with her set. She basically set the stage for the pastor to come up and preach, and she did a great job of preparing the audience's heart and did an amazing job of leading thousands of people in worship.

Where I Find You has arguably, one of the best beginnings to an album I have heard in a long time. I have to go back awhile to find an album that starts off with two amazing songs like this one does. "Steady My Heart" is a great song to listen to when you are in need of encouragement. Kari says at one point in the song, "I'm not gonna worry; I know that You've got me right inside the palm of Your hand." This track was a great way to start off the record and I have constantly had this song on repeat.

My other favorite song on the album comes right after "Steady My Heart," which is her first single, "We Are." From what I can tell, the song has been a huge hit so far among people who have heard it on the radio, and I can easily tell why that has happened. Kari's voice sounds superb on the track, and the instrumentals go so perfectly with the rest of the song. The whole idea of the song is that as Christians we need to be letting our light shine so that everyone around us can see the Lord shinning through us.

The third song on the album, "One Desire," is a great one too, but after hearing those first two tracks it takes a lot to measure up to them. Lyrically, I could argue that this is one of the strongest songs on the record. The chorus is amazing; it says, "In Your presence, Lord, I will find my strength. You're the breath in me. You're my everything. With my heart bowed low and my hands held high; all consuming fire, You're my one desire." The song talks about how God should be our one desire, and he is the only thing we need.

"Find You On Me Knees" is a song for those who feel they do not feel like God could ever save them or come to them in the depths of their despair. The song talks about how even when we are at our lowest, if we get down on our knees and pray to Him, He will lift us up and help us through anything and everything. The song is very raw emotional and the song was executed very well.

The best song near the end of the album is "Love Came Down." Kari's voice is very poignant in the song; which makes it that much better. The song was originally written by Bethel Music (who are ironically releasing an album the same day). I know several artists have done covers of the song on their records, the most recent being Seventh Day Slumber. The song is always good, no matter who sings it; I am sure any Christian band could sing it and it would sound great, just because of how well it was written. The song talks about how Jesus came down and set us free, so now we are all His. The song fit perfectly with the them of the album.

In this review I only hit on a few of the songs, but basically every song on this record is really good! Where I Find You is a very beautiful album, and is one of the best releases so far in 2012. Kari Jobe's voice is always very soothing to me, and I always enjoy listening to anything she comes out with. This album is a great worship experience that will have you feeling closer to God after the first song, and especially after the final song. Kari did a great job on this album, and I cannot wait to one day see her in concert again!

Favorite Song: We Are

Favorite Lyrics: "I need You. I can't get enough of You. I come alive when I'm in Your presence, o God, of my salvation." (From the song "Run to You")

Dara Maclean Interview

I recently had the chance to go to Winter Jam, which is probably the biggest Christian tour to happen every year. While there, I was able to interview Dara Maclean, who recently released her first album, You Got My Attention, on Fervent Records. We went backstage and talked about that record and a bunch of other things. Check out the interview below. Hope you enjoy the interview, and I hope you have the chance to see Dara and all the other amazing artists at Winter Jam this year!

Jonathan Kemp: What would you say is the biggest difference between Winter Jam, with it being such a large tour, and all the smaller ones you’ve done?
Dara Maclean: I think the difference right off the bat, is number of people. The fact that we’re getting to stand up there on a platform and see thousands upon thousands of people in one show, in a couple of hours, that’s a huge honor and an amazing opportunity and pretty life changing. I’m standing up there in awe that I’m even up there. I’m pretty amazed at the faithfulness of God. So yeah it’s awesome, Winter Jam - there’s nothing like it.
JK: So which do you prefer, bigger shows or smaller ones?
DM: That’s hard because this is technically my first touring season. So, I’ve been on four tours, but they’ve all happened in the last six months. I’ve grown up on the stage my whole life, but it’s different when you’re in front of 15 to 20,0000 at night. I want to say both. Both because I love getting to take my time - one of my favorite things is a stripped-down acoustic set, you know that you can do full band and you can build it but I love getting to just take time and talk to people. Give me 200 or 300 people and let’s make jokes and talk about the Lord and His goodness and really get to go deep. And then in this situation, the more that I do it I’m hoping that I can experience that in a larger capacity.
JK: You released your debut album on Fervent Records, You Got My Attention, last year. What would you say was the theme, or what were you trying to say through the album?
DM: The consistent theme throughout the record is freedom and redemption and that more is available through Christ. “Suitcases” is the message of leaving the past baggage in the past and understanding collectively, like let’s sing this anthem and dance our way to freedom and understand that we don’t have to keep holding on to the stuff that literally is robbing from us. From that, to freedom, to a love song, it all comes back to the love of God and the heart of God for us. And when we begin to understand that, I believe it changes things. 
JK: So you worked with Ian Eskelin on the record.
DM: I did.
JK: What was that like?
DM: Amazing. He’s so good at what he does and he was able to take all of my dreams - I’m really soulful and the music that I really like is very soulful - and he was able to say, ‘Ok, let’s hone those things and add a few things.’ I learned so much. I joke and call him my favorite ghetto producer ever. We just had a great time. He really let me be hands on with the experience, so I got to learn and be as involved as I wanted to be, which is in everything for the most part. He did his magic and was amazing, but I got to learn a lot.
JK: How would you say it was different from when you recorded your independent albums?
DM: It’s different because you don’t have someone that’s been there. As much as you love the creative freedom to just do whatever you want to do; if you trust someone that understands your heart and your music and who you are sonically, they can actually show you things about yourself that you didn’t know were there. I think a great producer does that and we took that journey together so it was really great.
JK: So do you prefer working with a record company or working independently, because you signed with Fervent not too long ago?
DM: I’ve been with Word for a couple of years. I love my team in every way. I think the difference is, my dad will say, “A contract is only as good as the people you are going into it with.” I in every way strategically saw the hand of God put people in my life. My publisher, her name is Susan Riley, and she’s a dear friend of mine. She’s in my life, and the brand manager, and the head of radio, we literally are like a family and very close. There are emotional highs and lows with every relationship and working relationship, but I wouldn’t want to be doing it any other way at this exact moment.
JK: How did you develop your style, which your Facebook page describes as, “70s influenced acoustic soul meets modern pop?”
DM: Well at 13 I was given a guitar. This friend of mine probably didn’t know the impact that they were going to have on my life. I dove into songwriting, so I was like, ‘Three chords, I’ve got tons of songs I can write with three chords: A, E, B.’ That was the first song that I wrote, was in that key. I at the same time got my hands on an unplugged Lauren Hill record and then proceeded to buy anything and everything that she had ever done. I just began to develop and grow. The biggest testament to artistry to me is discovering how to be a worshiper and knowing what that looks like in your genre. I grew up as a corporate praise and worship leader, did that for years, and that was probably the best training ground because within just discovering the heart of worship the Lord really developed who I was supposed to be as an artist - in the midst of loving soul music and all of those things. And two, I jammed out to Krystal Lewis when I was nine years old; I had every record she ever did.
JK: So you started music at an early age, but when did you decide that you wanted to do it for a living?
DM: I joke around because at seven I went through my doctor faze; like all of us do, we go through like ‘I wanna be a veterinarian or a doctor.’ And I went through a legit doctor phase when I was little. But I also around seven or eight remember running into my dad’s office and singing a song I had that I had written about the wall of Jericho falling down. My father applauded, and my parents have literally been so supportive my whole life, like ‘If that’s a dream in your heart, you don’t settle for no. Believe God for impossible dreams.’ I want to say that 13, around that age. I’ve always known that I was supposed to sing, and I’ve always known that I wanted my life to be ministry; but around 13 or 14 I’ve been going towards the same goal ever since. Now watching it literally unfold in front of my eyes, but better, is only the goodness of God. 
JK: Were your parents in ministry at all?
DM: Yeah my parents were associate pastors at a church in Florida, and also at a church when we moved to Rockwall, Texas. Then we moved specifically for the ministry that we’ve been at since I was eight years old. My dad does full-time business, full-time ministry, and they teach at our church. They’ve taught this class for about seven years, and I get to do worship with them. As a family we just love doing ministry together. Also, apart from that it’s just our lives.
JK: You said Krystal Lewis has influenced your music, but what else has influenced your music over the years?
DM: I mean Lauren Hill [and] worship [music]. My worship playlist is ever evolving and being added to, and it’s on always. I’m a worship junkie, just because that’s the heart of the matter. Even when you’re writing a love song, if you know where love comes from, that’s God. You can come from a place where it’s like, ‘I just want people to see and hear God in every subject matter.’ And that’s worship.
JK: So you know Passion, right?
DM: I love them. I grew up on that ministry, yeah.
JK: Do you think you’ll ever get to play at the Passion conference?
DM: It’s a dream I’ve had since I was a little girl. I’m putting it out there and giving that to the Lord. Shane and Shane, and Crowder and just Passion, their ministry as a whole, what it represents and the heartbeat of that ministry. Louie Giglio, I mean I love everything they do and it would be an honor to be a part in any way. 
JK: Why did you choose to switch to going by Dara Maclean instead of Dara Joy, which is what you released your independent albums under?
DM: Well Joy is my middle name. This is all the fun stuff that happens when you sign to a label. You don’t always make all your own decisions and so you talk through it with your team. It came back that they were like, ‘Dara, obviously that’s your name, but Joy, it sounds kind of cheesy; it’s like a fruit of the spirit.’ And I’m like, ‘I’m sorry that that’s my name!’ *Laughs* And at first you’re really upset about it. I called my sister and I was like, ‘Sissy, they don’t like my name!’ I was so dramatic and was not even that big of a deal, because I have a last name as well. And I was like, ‘Do you like Dara Maclean, or should it just be Dara, or should it be - what should it be?’ She was like, ‘Baby, I didn’t want to tell, but I think that Joy, it sounds young and you’re last name’s Maclean, that’s who you are.’ And I was like, ‘Oh, ok, it’s my name either way.’ Then I actually liked it better.
JK: So I know it was only about seven months ago that you released, You Got My Attention, but have you started thinking about your next record?
DM: Of course, I think that you always need to be writing for your next project, always. Even in the last six months, being out and working with your band and things like that, I think it evolves in and of itself. I am actually am really excited to tackle that next record because I already feel really solid about where I know it needs to go. So yes, I’m down. I’m excited.
JK: How much of it do you write, and how much of it does your band write for it?
DM: Technically I’m a solo artist, so it’s not a group effort kind of thing. I do co-writes. I have originals on the record, and I have co-writes. Because I’m a writer I want to be involved in that process because I know what’s in my heart to say, but it’s great to do co-writes because you learn from amazing writers and they can help you craft what’s in your heart and even say it better. And then you learn and you grow as a songwriter, so the next record will be both again I’m sure.

Bethel Music: The Loft Sessions

  1. One Thing Remains
  2. My Dear
  3. You Have Won Me
  4. Come To Me
  5. Walk in the Promise
  6. You Know Me
  7. Angels
  8. Fall Afresh
  9. Draw Near
  10. This is What You Do
  11. Angels (Acoustic) (Only on Digital Deluxe)
  12. Fall Afresh (Acoustic) (Only on Digital Deluxe)
Release: January 24, 2012
Genre: Adult Contemporary, Folk, Worship
Rating: 4/5


Bethel Music comes from Bethel Church, with is an association of 2,000 churches all over the world. Bethel Church has such musicians as William Matthews, Jeremy Riddle, and Jesus Culture. Needless to say, Bethel has many talented musicians to work with. Now, most, if not all, of them have teamed up to create another full-length project. The Loft Sessions is a really cool worship style album that has kind of a folk feel to it, but it is not quite as folky as say Gungor. I love all the different styles each of those artists bring to the album and the music turns out sounding really good.

The album starts off with "One Thing Remains" which, although it is not one of my favorites, is a pretty good way to start off the record. The vocals are enjoyable to listen to, and the concept of the song is a good one too; it talks about how in everything that goes on in the world, even when everything else fades away, God is still there with us. We do not have to be afraid, because God is still there. This song then leads right into my favorite song on the record, "My Dear." The song is one of the more fun-loving ones on the album; it is one of those songs that makes me feel like God is giving me a great big hug. The song talks about all the attributes of God and is basically an expression of how much the artist loves God. It is such a cool song, and it is so much fun to listen to.

The first single from the record, "Come to Me," is a very worshipful song that I believe could become a huge radio hit if enough people hear it. Jenn Johnson did a great job writing and singing this song; the song talks about how we do not have to worry about anything because God just wants us to come to Him. It can be a very emotional song and how well the production was done on the song makes it that much more stunning.

"Walk in the Promise" is one of the more different sounding songs on the record, and somehow it works. I really like the sound of it, maybe because it is a complete change of pace from the previous songs. It is very calming, and the instrumentals are very minimal, to the point that the vocals really pop. Another song on The Loft Sessions that sounds pretty similar to this one, is "Angels." Once again, it is very serene and the song starts off with "Calling all angels..." and repeats that several times. It is a cool beginning to the song, but after the beginning I slowly lost interest in listening to it. the song does not really catch my attention, at least not as much as "Walk in the Promise."

Probably my favorite song in the later portion of the album is "Fall Afresh." The band also did an acoustic version of the track, although at times the original sounds pretty acoustic to me. The lyrics are spiritually packed and the vocals and instrumentals sound stunning. The song talks about God coming down on us and doing a huge thing with the church and with each of us individually. The song sounds like a prayer, and is a great prayer for each of us to pray - that God would revolutionize each of our lives. I think I may like the acoustic version the best, because it really places a lot of emphasis on the vocals, which I think is the best part of the song. And it also ends the album really well!

The Loft Sessions is a great record, with a lot of great songs on it. I could listen to this album all day long, just because of its originality and how great every single part of it was done. Most things seemed to fall into place perfectly for the whole album, and I think Bethel did a great job with it. One thing I really love about the album is that it is a worship album, but it does not sound like a traditional worship album. I think this album could revolutionize the worship and adult contemporary genre. This is one you are definitely going to want to consider picking up on January 24!

Favorite Song: My Dear

Favorite Lyrics: "And I'll never ever have to be afraid, cause this one thing, it remains. This one thing, it remains. Your love never fails, it never gives up, it never runs out on me." (From the song "One Thing Remains")

Saturday, January 21, 2012

Trip Lee: Robot (Single)

Trip Lee has created a great (and free) new single, "Robot", as well as coming out with a release date for his new album The Good Life, releasing on April 10. If Trip Lee's new album has tracks as good as this song, you should be seeing The Good Life top the charts on iTunes. "Robot" contains strong lyrics combined with a beat that will stick in your head and a tempo that will get you hyped. The thumping bass and solid beats create a outstanding track. One of my favorite things about this song is the lyrics; the way Trip Lee describes himself as a robot that has been remade creates a set of captivating verses and a catchy hook. The only things that the song lacks are minor, and are not numerous at all. I feel like the song could have started a little differently to make it better, but for this song, it does not make a difference. This song is definitely one that you need to go pick up. There is a link posted on our new music chat website for you to go pick up Trip Lee's new single.

Rating: 4.5/5

Friday, January 20, 2012

Process of Fusion: Connections EP

  1. Moment of Clarity
  2. Aspire, Inspire, Expire
  3. What Brought Us Here
  4. Connections
  5. Lights In The Sky
Release Date:
Genre: Hip Hop/Rap, Metal, Rock
Rating: 3/5

Process of Fusion is a band that started recording in 2008, and they have definitely obtained a unique and stand-alone sound. Their music is a mixture of rock, rap, and metal, and Connections (check it out on Bandcamp) definitely brings back the sounds of 1990s rap rock. Although they have a renewed sound brought to the table, their lyrics are solid, and express their beliefs in God and their faith.

The first song, "Moment of Clarity", gives you a good idea of what the album will sound like as a whole. The rapping, singing, and screaming could be developed a little more; the sound is good, but the mixture of vocals does not blend as well as it could. I have not listened to this genre in a long time, but the last time I did, I was listening to P.O.D. when they were a prominently Christian band. I feel like if Process of Fusion could try and model their sound like P.O.D.'s on their early projects while adding their own modern twist, they could be a very good band. Process of Fusion has a lot of potential, and I feel like this is displayed in the first song.

"Aspire, Inspire, Expire" is a song just like the previous; it is decent, the instrumentals are great, but the vocals could still use improvement; it is hard to flow with the sound they create when I cannot get over the lack of flow in the vocals. The song is overall okay, and I feel like for its unique genre, it would be enjoyable to listen to. Another problem I feel like the song has is that it is lengthy. I can enjoy the song, but I feel like it could have been shorter and still be a quality song. The next song, "What Brought Us Here", is a song that is more calming and peaceful than the rest. Even though the rapping is still involved, it fits the song, and I feel like if there was more of it then it would be something I would take more interest in. The song definitely contributes to the overall sound of the album.

The album-titled track "Connections" takes the tunes from a calm and serene song back into a rock/rap style of track. This song stands out from the rest, and shows potential for the band. I definitely feel like if there were songs with a good driving sound and solid lyrics like in this one, the band could gain a bigger audience. This song is definitely one of my favorites on the whole album. The final track, "Lights In The Sky", is a good way to finish the album. The album shows consistency in its sound, as well as a good change in mood for every song. I feel like if the band achieved the ability to stand out separate from other bands like this, they could go far with their musical careers.

Favorite Song: What Brought Us Here

Favorite Lyrics: "Faith is the evidence of thins assumed, Look past heaven toward the stars and the moon. My life, my life, is in your hands." (From the song "Lights In The Sky")

Wednesday, January 18, 2012

Corey Kilgannon: Letters and Promises (EP)

  1. Death, Dreams, and the Days In Between
  2. Kites and Kings
  3. Letters and Promises
  4. I Swear
Release: December 15, 2011
Genre: Acoustic
Rating: 3.5/5


I have come to expect so much from Corey's music, because everything he has ever released I have loved. His voice is so smooth, and the instrumentals to each of his songs are so well done and so well thought out. Corey's latest EP, Letters and Promises, has two remixes of songs off his first album/EP, as well as two new songs. Corey has released 13 songs...ever, and all of those have been in the past year. But I am pretty sure he is one of my most listened to artists, right after Lecrae and Switchfoot. This EP shows a lot of musical maturity by Corey and has some really great songs on it.

The first two songs on the EP are remixes of songs off his self-titled debut that came out last March. I cannot decide which is my favorite remix though. "Death, Dreams, and Days In Between" has some really awesome instrumentals and his voice sounds even better on this version than on the original. The song talks about life's decisions and living life to the fullest. The second remix is of "Kites and Kings," which I think turned out pretty awesome. He put in some awesome accordion parts and added a piano to a few parts on the song. From the moment I heard the piano on the song, I fell in love with the remix. I think I mentioned in my review of the original version of this song that I really loved the line "There's a world out there and it's yours for the taking." I cannot remember if I did, but either way I still really love that line!

The album then goes into the first completely new song, and the title track of the album. I think this song might possibly be my least favorite song right now of Corey's. I love the lyrics, and I like the instrumentals. To tell you the truth, I cannot really put my finger on what I do not like about the song. There are times when his voice goes really high, and it may be those parts that make me like it less, because it sounds a little less natural for him. I really do not know. The song though is basically him writing a letter to someone he really misses and wishes he could be with at that very moment. It is a very sweet song, but I do not think it measures up with some of his other stuff.

Corey finishes up very strong though with another new song, "I Swear." I get the chorus to this one stuck in my head a lot. The song is another relational song, that is pretty sweet just like "Letters and Promises." This is one of those songs that makes you feel all good inside and like everything is right in the world. The song was done to perfection and is probably one of the most well rounded songs he has ever done.

I am always amazed by everything Corey puts forth; his music is always personable and enjoyable to listen to. Letters and Promises has a bunch of awesome material on it and I would definitely recommend listening to it and paying the $4 for it. If you have listening to some of his past material you will definitely love the remixes. I love it every time Corey comes out with new stuff, and I cannot wait for another full-length from him. Maybe we will see some more new stuff from him in 2012!

Favorite Song: I Swear

Favorite Lyrics: "I promise I'm alright. I promise I'm scared. If I could make this right, I'd do it I swear." (From the song "I Swear")

Adam Sams: Welcome to the Motion

  1. Nameless Race
  2. Foreign
  3. Smaller
  4. Welcome to the Motion
  5. This Old House
  6. My Faith is in the Grave
  7. Surrounded
Release: July 26, 2011
Genre: Acoustic
Rating: 3.5/5


Adam Sams has been playing guitar for around 10 years, but after listening to Welcome to the Motion it seems like he has been playing for so much longer. Adam, like Corey Kilgannon, is a local musician that plays really great acoustic music (and one that I really need to see play live sometime). This album has really grown on me every time I listen to it. I mean I liked it the first time I listened to it, but it seems like every time I listen to it I like it a little bit more than the time before. His music has purpose, and each of the songs talk about something that is relevant. Welcome to the Motion is Adam's debut album, and like 99% of debut albums, it needs a little work and is not perfect. Having said that, I still think it is a pretty good album that is worth listening to.

The album starts off with the sound of a harmonica getting progressively louder, and then Adam starts strumming the guitar and singing - a great way to start it all off. "Nameless Race" has some really great lines, especially in the chorus, and I think it is a pretty good opening song. Right away you get a taste of his vocal and musical abilities. Most of the instrumentals sound really basic, but when you really listen to it is pretty cool to hear all the little intricacies throughout each of the songs on the album. There is a stanza in this song that I really love; where he says, "But what have I got that makes me better? I've still got my vices. What is it that makes me think I'm worth more than another?"

"Smaller" is a song that reminds me of some stuff Corey has done in the past. It has a very raw feel to it, not only in the instrumentals, but also in the lyrics and emotion. The chorus is very dramatic, at least it feels like it in the buildup. The whole concept of the song is that we all need help, and by making ourselves smaller, we actually make ourselves bigger. Basically a one word summary of the song is humility. This is probably one of my top two or three songs off the album.

I think probably my favorite song on the album though is the title track, "Welcome to the Motion." I love the use of all the different instruments, and Adam's voice turned out really great as well. The whole theme of the song is to live your life and not just stand by and do nothing. The chorus states it pretty clearly, "Stop just existing and start to live your life." The theme of this song is pretty much the overarching theme over the whole album as well.

I always get the chorus to "My Faith is in the Grave" stuck in my head. The song talks about pairing our words with action and doing what we say. Basically, talk is cheap. The lyrics are pretty simple and short, but the song is pretty long, and clocks in at about six minutes. There is one line near the end of the song that says "Let the trees without fruit be cut to the ground," which really sums up the song.

Overall Adam Sams debt project is a good one. As I have said, there are a few parts that could be improved upon. Overall though, Welcome to the Motion is one worth listening to and picking up a copy of. One cool thing is that if you order a physical copy of the album off his Bandcamp page, he handmade the CD jacket and put it all together himself. So that is one awesome thing about purchasing a hard copy of the album. If for no other reason, if I were you, I would buy the physical copy of the album because it is so cool to look at and hold in your hands. But the fact that the music is pretty good as well, is a plus!

Favorite Song: Welcome to the Motion

Favorite Lyrics: "I don't want to go home the same man. I've become foreign to who I am." (From the song "Foreign")

Tuesday, January 17, 2012

Lindsay McCaul: If It Leads Me Back

  1. Say My Name
  2. Ready
  3. Come Rest
  4. Take My Hand
  5. Face to Face
  6. You Never Change
  7. Speak
  8. Hold On To Me
  9. Where Do You Go
  10. Let Go
  11. If It Leads Me Back
Release: January 17, 2012
Genre: Adult Contemporary
Rating: 4.5/5


I recently had the chance to talk to Lindsay McCaul on Casting Crowns' Come to the Well Tour, and in the interview I asked her a little bit about If It Leads Me Back. One thing that really hit home to me is something she said about the album. She said, "My hope is that the combination of all these songs, and especially “If It Leads Me Back,” would be a reminder to whoever listens, that whatever moment you’re in and wherever you are in your walk with God - as long as we are surrendered to Him it should just be our prayer that, ‘God whatever you want for me and wherever you have me, just let my heart be so surrendered to you that it brings me closer to you and it brings me back to you.’" If It Leads Me Back is an album that I have grown to love since I started listening to it right after the concert that night. The lyrics are powerful, and have the depth and insight of a veteran songwriter. Most of the songs are very catchy and very heartfelt. This album is one that I think most Christian music fans are going to love!

The album starts off with the song "Say My Name," which was also on her EP that came out several months ago. I love how well she expresses that God calls out to us, each of us personally, and tells us that we can escape from the things of this world and be His child. It is one of those songs that shows He is our Abba Father. The chorus is also super catchy, which is definitely a plus. "Say My Name" then leads into "Ready," which is what she opened up her set with on the Come to the Well Tour. Once again I love the concept of this song, which is talking about how God is ready to answer anytime we pray or anytime we need Him. The song is very uplifting, and one that I have quickly grown to love.

"Come Rest" was the first song by Lindsay I ever listened to, and I still thing it is my favorite one by her. The smoothness of her voice and the clarity and sound of the instrumentals are amazing. The song is about Mary and Martha and the song paints a beautiful picture of the scene. I have probably listened to this song at least 60 times, and I could probably listen to it all day and never get tired of it. This song has the perfect combination of inspiring and deep lyrics as well as great vocals and instrumentals.

"Take My Hand" is one of the slower songs on the album, but once again, the lyrics are spectacular. It is one of the best songs to listen to if you need encouragement or just need to refresh your spirit. The concept of the song is that in our hardest times God comes along side us and takes our hand and guides us through the situation. I feel almost as if a shift happens after "Take My Hand" once "Face to Face" comes on. "Face to Face" really showcases Lindsay's amazing voice, especially in the chorus. The song talks about seeing God for the first time face to face in Heaven and how great it will be. Once again, the song paints a very beautiful picture.

The sixth song "You Never Change" has a little more of an acoustic feel to it, until the chorus hits; which is one of my favorite choruses on the album. The song talks about how God never changes and his love will always be unconditional. It is a great reminder that all of us need at times in our lives. Then the song "Speak" has some great electric guitars at the beginning, and it is so cool because it starts out pretty loud and then it goes to being really quiet. The contrast is so cool, because she talks about wanting to hear God through quiet, but she starts off the song so loud. I thought it was cool anyways!

The album finishes up with the title track, which is based off the story of Job. She is basically saying through the song to God that she is willing to go through anything as long as it brings her closer to Him. I really want this to be my prayer, but it sure it takes a lot of bravery to say to God, "Whatever you need to do to me to bring me close to you, do it." This song is definitely a challenge to me and one that I think every Christian should really listen to and think about. If we all told God that we will do whatever we need to do to be closer to Him, imagine how much better the Church would be.

Needless to say, If It Leads Me Back, is one of my favorite albums of 2012 so far. Every one of the songs is very uplifting and are so great to listen to. The album was done to perfection, which is what I've come to expect from any album that Jason Ingram is a part of (he co-produced If It Leads Me Back). I have listened to this album many times since I got it the night of the concert, and I have yet to grow tired of it. Lindsay's voice has something that is very captivating, and I cannot wait to start hearing her stuff on the radio. I also cannot wait to hear some more music from her in the future!

Favorite Song: Come Rest

Favorite Lyrics: "You say my name and tell me I can walk away from all my fears of yesterday. I can hear you calling. You say my name and tell me there's a better place, you lead me to your sweet embrace." (From the song "Say My Name")

Monday, January 16, 2012

Lindsay McCaul Interview

Back in November I had the privilege of interviewing Lindsay McCaul when she came to my church as part of Casting Crowns' Come to the Well Tour (check out my concert review here). It was so amazing getting to interview her, and it was so cool to see how much God shines through everything she does. This is a really nice and long interview, so I think you'll enjoy it! Also, be on the lookout for our review of her album that releases tomorrow, If It Leads Me Back (which we talk about in the interview), pretty soon!


Jonathan Kemp: So how’s the tour been going so far?
Lindsay McCaul: It’s awesome. It’s like the best tour I could have imagined being on. I know you’re a Christian music fan just from reading your reviews; I am too. I’m like the hugest Christian music fan. I remember listening to Casting Crowns years and years ago when they first started and I was like a huge fan.
JK: Have you been on any other tours before this?
LM: Not a big tour like this. I did a Christmas tour with Shane and Shane last year. I’ve done a couple other little runs, like one-offs or stuff like that, but never a big tour like this before. 
JK: So out of all the bands, which would you say has the best live performance?
LM: *Laughs* I don’t know if I’m gonna be able to answer that. Wow, that’s a really hard question. Casting Crowns is amazing...gosh...I don’t know if I can even answer that. They’re all so good and so different. They’re all different, which makes it I think a really good show because everybody brings a unique piece to the night. Yeah I don’t if I can say. I’d get in trouble with all of them if I picked one. They’ll read it and be like, ‘What?! You like Sanctus better?!’ I think they’re all amazing and they all bring something really special to it. They’re all incredible people, just every single one of those guys and girls are so genuine and humble and they really want to be in ministry. They want to do this so that the kingdom of God is expanded.
JK: So, how’s the attendance been with all the show, cause I know this one’s pretty much sold out?
LM: Yes, a lot of them have been sold out, most of them I would say. It’s been incredible. It’s so funny to see too, when we go to different parts of the country you know the different personalities of different states. It’s interesting. Certain states everybody will stay seated the whole time, and then other states - usually in the South - people are like on their feet. And you’re like, ‘So weird. You people like to sit down...’ I don’t know, it’s just been funny. It’s been really great. Pretty big crowds every night; it’s Casting Crowns so you know. They’re pretty much the biggest artist in Christian music.
JK: Hopefully people will be up and standing tonight!
LM: We’ll see. Where were we...two nights ago we were in North Carolina and I think that might have been the peppiest crowd that we’ve had. They were very, very lively. Sometimes you don’t know, you’re like trying to figure out people in the front row crossing their arms. And you’re like, ‘Is it me? Or are you just really excited for The Afters and you can’t wait for me to be done?’ I don’t know.
JK: So what’s your favorite moment from the tour so far?
LM: Well, on a grand level, my favorite time of the day - other than show or intermission when we get to go out and sit at our tables and meet people. That’s probably my favorite part. But I also love - we have tour prayer time everyday at 4:00 and everybody, all of the bands and all of the crew, and everybody gets together and we have a Bible study. Different people lead it, but usually Mark Hall. Then we all go out and spread out over all the seats and pray over everything - the whole room - so that everybody is prayed for. I love that everyday, that’s probably my favorite time just because I feel like it sets the tone for the whole day and for the tour. This is all for a reason; we do everything that we do for a reason. I love that. Let me think, my favorite moment. Well, when we were in Nashville, I got to meet Ginny Owens. That was pretty cool. That was pretty sweet, I’m not gonna lie. I love her stuff. So, that might have been a highlight for me. But also the other day I got to go to a women’s prison and spend some time with some of the lady inmates there. They were all believers and they were all on this dance team, they danced to Christian music. I got to spend some time with them and just hear their stories and see their dances. They were huge Casting Crowns fans, so that was cool to just talk to them about how music really does change people’s lives. I didn’t know what to expect when I first was going and then as soon as I got there they were just so joyful. You could tell that they really sincerely have walks with Jesus. Just the way that they were sharing about some of my songs and Casting Crowns’ songs, or other Christian music that they were listening to in jail - that these songs have an impact on their life and how much it has meant to them while they’ve been in prison to be encouraged through music. That was really powerful to me, because I know how much Christian music has impacted my life, but to see it so clearly in their lives too. It made me excited to get to do what we get to do every night. They were all like, ‘We’re praying for you tonight at your show!” I was just like, ‘Wow, they’re in prison and they know at 7:00 PM - I knew they were all going to be praying for me.’ You know, and it was even one of my best shows. And I just felt it like it was such an amazing night. Even that night I was like ‘I knew they were praying for me.’ It was just really cool. That was probably my favorite day.
JK: Have there been any pranks yet on the tour?
LM: Not yet, and I’ve heard of pranks that are being planed for the last - usually the last day of the tour is when pranks happen, and I am very nervous about that. I grew up with all girls; I have four sisters. We don’t do pranks, girls really don’t do pranks - it’s the guys. Trust me, I know they’re scheming and so I’m just trying to make an alliance, so I’m not the only one person that doesn’t have a prank going on. I think we have a couple that we’re working on. I don’t think anybody’s done any so far. So, yeah I’m a little scared. They keep threatening me and I’m like, ‘No, no, be nice to me.’ I think they’ll be pretty moderate pranks as far as they go, but we’ll see.
JK: Can you tell me just a brief history of how you got into music and they music industry?
LM: I grew up loving Christian music and I started writing when I was pretty young; I think I was 13 or 12 or 11 or somewhere around there. I taught myself guitar and so I just wrote these songs. And then when I was 16 my twin sister convinced me to enter this songwriting competition, which I won. It was with this company from Nashville and they were like, ‘Oh we’re gonna put out a CD for you or something.’ They made all these promises and then it fell through. I was really surprised and disappointed because I really wanted to do it. I remember I was in my room and I was just like, ‘God, seriously? I’m so disappointed.’ And I felt really strongly that God was clearly saying to me, ‘You know Lindsay, if you are writing songs and doing all this for you, then you should be disappointed and devastated. But if you’re writing songs for me, then you don’t need to worry about what happens. If you just keep writing your songs, I’ll take care of how I use them in people’s lives. You just be faithful to write them and do that. Then let me take care of everything.’ I just felt so peaceful about it because it had never occurred to me that if God is giving me songs to write or putting it on my heart to write songs then if I want to do something for His glory, He’ll be the one that accomplishes it because He is far more concerned about His glory than I am. I think about giving God glory, I don’t even know what percentage of the day, but it’s not nearly as much as it should be. And God thinks about His glory all the time, He always wants to be glorified, which He should be. It was a realization that I’m really glad I had early on. Then I kept writing, but I wasn’t as focused on ‘Oh I want to be a Christian music artist or whatever.’ I grew up in Florida, and I moved to Moody Bible Institute in Chicago to go to school when I was 17, and I kept writing. I started leading worship at Moody; this girl signed me up to lead worship - I didn’t even seek that out either. So, then it was like I was writing but more in the leading worship side of things. After I graduated I went to my church in Chicago and started working there. They were like, ‘Hey we worship at our church, why don’t you write some worship songs for our church and we’ll record a congregational worship album for you.’ So I went to this camp that we have and spent a couple days writing and wrote these songs. I came back to a couple of the worship leaders and pastors and was playing them these songs; and they were like ‘Well those are nice songs, but they’re not congregational worship songs. They’re artist, story songs.’ So they were like, ‘Well we’ll still help you make a CD, even though it’s not what we thought it was going to be.’ So that’s where I made that CD, that one’s called Ready. Oh, I made another one with my church in Florida, it was like a little EP thing just when I was 17. So I made that CD my church and my roommate at the time was a girl named Meredith Andrews, who’s another Christian artist. She had just started working on her first CD, I think it was just out or something. Her producer, who comes up to our church in Chicago and leads worship like every month or two, is a guy named Jason Ingram. We knew each other a little bit, but he had hear my CD that we made with our church. He said, ‘Hey I know you write these songs, what do you want to do with them?’ And I was like, ‘I don’t know.’ He was like, ‘Well have you ever thought about being with a record label or something like that?’ And I was like, ‘Well I’ve thought about it. There’s no formula for how to get to a record label.’ And he was like, ‘Yeah I could help you at least with writing. So come down to Nashville, and we’ll work together.’ So, I went down and I started writing with him and he brought me to my record label, Provident. I signed with them a year and a half ago. Yeah it was just really crazy. I feel like it was a reminder for me that when God gives us desires in our hearts to obey Him and glorify Him, He will be faithful to fulfill that because He wants glory. It gives Him joy to fulfill desires in ways that we would have never imagined it. I thought I would get to do music when I was younger, and I’m 27 now. I never thought I would be this old, that sounds terrible, *Laughs* I didn’t think it would take this long to do something like that. Or then after that whole first thing happened, I thought I wouldn’t get to do something like this. So, when the door started opening and I knew it was God doing it and not me pushing it. I never wanted to push a door open for this because I thought if God wants to do then He will. And if I want to do it then I don’t want to just do it because what if it’s not what God wants? So yeah it’s been crazy just to see Him keep opening these doors. Even to be out with Casting Crowns; I got to open for them last fall on two different individual dates. And after the first night Mark Hall came up as they were getting on stage and as I was coming off stage, he was like, ‘Hey you wanna go on tour in the Fall?’ I was like, ‘What?’ ‘Yeah, hey next fall. We’ll pray about it!’ I was like, ‘Ok, I’ll pray about it. I think God said yes!’ It’s been amazing to see how God opened these doors, that I didn’t have to push open. I just feel like that’s been an encouragement to me that when things are tough, then I know God wants me to be doing this?
JK: So how long has it been since you singed with Provident?
LM: I signed with them April 1, 2010. So it was April Fool’s Day. So when I tweeted about it nobody believed me. *Laughs* I was like, ‘I just signed my record deal.’ They were like, ‘Haha that’s funny.’ I was like, ‘No, wait, no. I really did! Wait what?’ So about a year and a half now. 
JK: So it’s been a pretty quick process.
LM: I had been talking to Provident for about year before that. So Jason and I had started working together the year before. We just were writing a bunch of songs. I would come down to Nashville about once a month. We wanted to have a bunch of songs ready, so that if I got signed by any label we would be ready to start working on an album and start record. So, to me it seems like it’s been a pretty long time. It’s been like two and a half years. But nobody else knows who I am so they are all like, ‘Oh you’re a new person. Did you just make your CD?’ But it’s good because I know that it’s in God’s time. His timing is always better than mine. 
JK: I actually hadn’t heard of you before until I heard that Casting Crowns was coming to First Baptist. And then I looked you up and I was like, ‘Whoa I really like this music.’
LM: Oh, thanks Jonathan!
JK: So what are your influences on your music?
LM: Well I’m probably the biggest Steven Curtis Chapman fan ever! I seriously am. My first concert was his. The first CD I ever bought was his.
JK: Me too!
LM: Which one?
JK: I think, is it Speechless?
LM: Speechless, that’s a good one. Mine was Signs of Life, because it was the Signs of Life Tour and I was like, ‘Oh he is amazing!’ I just loved the way that he wrote songs and the way that he put his lyrics together and his lyrics were incredible and his voice is obviously is awesome. I loved especially that in his CDs he puts scripture references for how and why he wrote songs. So that’s something that I carried over to my CD too. So it’s funny now because we have the same manager, but I didn’t know he was Steven’s manager when I met him. And he asked me who’s your biggest influence? And I was like, ‘Steven Curtis Chapman!’ Then somebody was like, ‘You do know that’s Steven Curtis Chapman’s manager.’ I was like, ‘Oh my gosh! I’m such an idiot!’ So, Steven and then Nicole Nordeman is my other absolute favorite. She is just incredible. She is like a genius songwriter. So those are my two favorites. Cindy Morgan is another one that I just love her stuff. Watermark, so the the Nockels, David and Christy Nockels. They’re not Watermark anymore I guess. Those are probably my favorites. Casting Crowns, I should have had them in there. I think Matthew West is a good songwriter. Just all these people I grew up listening to and they really influenced [me]. Because I listened to Christian radio so much, they really influenced me and how I thought of songwriting and what I think is a good song. It makes me want to write better songs, because I know that when I write a song I’m like, ‘This is the worst. Those artists would never sing this song; I need to write a better song.’ So I just have to keep going back to it and going back to it. 
JK: So when you went to Moody, it was for applied linguistics, right?
LM: Yes! Wow!
JK: So how do you use that to write your lyrics? 
LM: That’s a good question. Well applied linguistics is for Bible translation - that’s the main purpose of that degree, at least at Moody. So when I was a senior I was like, ‘Oh well I’m gonna go overseas somewhere and translate the Bible.’ My mentors and friends and people that I was translating with kept saying to me, ‘We feel like you are ignoring something that God has given you with your songs and with music. And maybe you’re supposed to be music ministry instead of translation.’ And I was like, ‘What are you talking about? You don’t want me to do this?’ And they were like, ‘No, no, not that. We just think you need to pray about this.’ So the more I prayed about it I was like, ‘Ok God, I thought that you wanted me to go overseas and do something like that. But if you have a different plan for me for right now then you just make it really clear to me cause I am not very smart so I just need you to make it really clear and I’ll go wherever you want me to go.’ And that’s when I came on staff at Harvest; I really felt God leading me there. But I was disappointed for a little bit because I was like, ‘I really love translation and I really believe it’s so important for God’s kingdom. There are people that have never heard God’s word.’ And I felt God reminding me that I could still translate God’s word into songs. I will not remember what a sermon’s about. I couldn’t remember on this day from three years ago what a sermon was about. But I will remember a song - everybody remembers songs and lyrics. If you hear the first couple notes of any of your favorite songs, you could sing the lyrics, because they stick in your heart. So I love that I get to, in a little sense of the word, translate the Bible. I think it has shown me the importance of words. The music part of a song helps us keep it in our heart because it’s the emotional side. How we say something is very important, one word can change a whole song. So, I want to be really careful with how I say things because it could be them hearing about Jesus for the first time or help them come back to Jesus or grow in their walk with the Lord. I feel a weight and a sense of responsibility for how I write. I was talking with Matt Hammitt from Sanctus Real and we were talking about how it’s kind of like we write sermons in our songs - but we don’t think of it that way. Songwriters aren’t considered pastor’s or preachers but if songs get stuck in people’s heads then it’s really important for us to have good theology in our songs - really important. We’re responsible for what people think about God and it’s a really serious thing. It’s cool to see all those other guys, all the songwriters we have on tour - they think it is very important to be careful. And I love that about them.
JK: You’re upcoming album, If It Leads Me Back, what’s the meaning behind the name?
LM: Well, I’m glad you asked that. I couldn’t decide on a name for the album for a long time. I was like, ‘What am I gonna call this thing?’ I had no idea. The last song on the album is called “If It Leads Me Back” and I wrote it with Cindy Morgan who is one of my songwriting heroes. I try to take different stories and truths from the Bible and put them in all my songs. So, “Come Rest” is about Mary and Martha. “Say My Name” is about Lot and his wife leaving Sodom and Gomorrah. “If It Leads Me Back” is about Job and how he was so surrendered to God. He basically said to God, ‘Whatever you have to bring me through, I trust you because I am confident that it will lead me closer to you. And I want that more than I want my health, more than I want my family, more than I want wealth, anything. If you take me through the valley; if you take me through the fire - as long as it leads me closer to you, I’m ok with it.’ I feel like all of the songs on my album are for different seasons of life and different situations or moments in my life anyways. So, it’s kind of been a snapshot of where I’ve been in different moments in my walk with God. So my hope is that each one of these songs will meet people at different points in their lives and where they are. My hope is that the combination of all these songs, and especially “If It Leads Me Back,” would be a reminder to whoever listens that whatever moment you’re in and wherever you are in your walk with God - as long as we are surrendered to Him it should just be our prayer that, ‘God whatever you want for me and wherever you have me, just let my heart be so surrendered to you that it brings me closer to you and it brings me back to you.’ Sorry, I didn’t say that very clearly. Do you know what I mean?
JK: I do!
LM: Ok good. You can interpret that. *Laughs*
JK: What was the recording process for the album?
LM: It was kind of funny, we kind of did it in chunks. We’d do like three songs at a time or two songs. One time I went down to Nashville to sing; I had never had allergies until I started going to Nashville and then all of a sudden there we just there and terrible. One time I went down to record vocals for some songs and I couldn’t record because my nose got stopped up and I couldn’t get it cleared out. It was a good process; it was very eye opening. I got to work with some really incredible musicians that made me want to be better at my musician side of things. I taught myself guitar and I can’t read music to save my life. So I don’t know very much about this whole thing. And to see them listen to my song for the first time and then go play it and record it and it sound awesome. I was like, ‘Ok, I have some work to do.’ So that was really challenging. It made me want to write more songs just so I can be continually in the creative - I want to be more creative. I think it’s challenged me a lot being in the recording process and also out with musicians that are so great. I feel like a kindergardener with a college student and I’m like, ‘Do you like my picture?’ and they’re like, ‘What?’ *Laughs* Yeah it was awesome. I have two producers, Jason Ingram and Rusty Varenkamp, and they were just so great to work with. They brought life into the songs. It’s hard when you write a song by yourself on the guitar and all of a sudden there’s a full band playing it and you’ve never heard it before. And you’re like, is that what I think it should sound like? They were so careful to make sure that each of the songs came alive in that. So I loved that part of it.
JK: Do you have other people transcribe the notes and all that?
LM: I guess a couple of my songs have actual sheet music and I definitely didn’t do that. I don’t even know where they came from. I’ve seen them online, and I’m like, ‘Somebody did that, oh that’s cool.’ When we record the musicians use, I think it’s called  - Mark what’s it called, Nashville Numbers System or whatever?
Mark: Yeah.
LM: But they use like a one and a two - numbers. I don’t understand it. If they told me to play I would be in serious trouble. I just know how to play my songs and they figured it out. They’re geniuses.
JK: So you and Mark were married right before the tour. Correct?
LM: Yes!
JK: Has he been on the tour with you for the whole time?
LM: For the most part, not at the beginning. For most of the tour he’s been out with us and he’s been helping out with different stuff that they need help with. He has a job, fortunately, that he gets to come out and travel and he can work from his computer. So, that’s been really fun. I think that would have been really hard because we’ve been married for nine weeks and we’ve been tour for nine weeks.
JK: So is it hard for you to be away from your family when you’re on tour?
LM: We’ve been gone for a while. We do get to go home pretty often actually. The way that Casting Crowns runs their tours, which I love, they are very dedicated to being back at their church on Sundays. So they make it so that we are usually on tour from either Wednesday or Thursday night, through Saturday night. Then from Sunday, Monday, Tuesday we usually have those three days off, or one or two of those anyways. We’ve been up to Chicago a couple times, and then other times we’ll just stay in Nashville. I’m trying to write for my next album. So that’s been a nice thing to have little breaks. It hasn’t been too bad. We’re gonna go see my family - my parents are down in Merritt Island. We’re gonna drive down on Monday, so that’ll be fun for Thanksgiving.
JK: So what do you think is next for you as an artist?
LM: Well I’m going on tour with Casting Crowns in the Spring. So that’s my next immediate step I guess. I hope that I really continue to grow as a musician and as an artist, and especially as a songwriter. As long as God keeps the doors open, I just hope I get to keep getting better. I need to get better *Laughs* at writing and singing and playing. The Bible says do all things for the glory of God. I wanna just keep getting better at that so the music that we make can reach more people. I think that’s the whole aim of it, so that more people would hear the truths that are in the songs and respond to God from that. And I think that’s why Casting Crowns is so successful. Melanie Hall was saying that the other day, she said that she really believes that the reason God has allowed them to reach so many people - I mean they were like number two on Billboard. Like that’s crazy! What Christian artist does that? Nobody. She said, ‘I think it’s because people hear the word of God in these songs.’ They’re all written out of sermons, all of us write our songs off of scripture. It’s people responding to the truth, and they don’t even know it. Some people don’t even know why they like the music. They’re like, ‘Wait, what is this? Oh gosh, it’s the Bible...in a song.” So I love that. I just want to keep getting better at that and grow as an artist, and keep doing this. I would love to keep doing this for as long as I can.
JK: Are you going with them to Australia and all those other places?
LM: No, I wish! If you wanna ask them. If you wanna talk with them about that. *Laughs* No, we’ll start back up again in February, and instead of Sanctus Real and The Afters, we’re gonna have Matthew West and Royal Taylor out. That’ll be really fun. It’s a great tour, just because they’re so family oriented. I love that about them.